P3- Major Project Assignment 1

Studio Space

DSC_0228In some ways this has been a tricky call. After Jake left home I had already been using what had been his bedroom as a space to work. Following his death it became a very DSC_0118emotionally loaded space, and once again piled up with his belongings. I had a lot of ‘dealing with things’ to do before I could work in the space, but I have now got pass that, though aware of the constant reminders around me of his presence. Where I have found myself working with willow, quite often I find myself working outside and consider the garden as almost an extension to my studio space.

 

 

A short review and Cosmos Mind Map.

I feel I need to approach this a little differently to suggested bearing in mind the unusual circumstances around my beginnings to the course. Through the additional tutorial provided by the OCA you have seen how I have been working with, drawing and photographing the willow. I made a kind of mind-map to help visualise the possibilities of working with the willow. I have also made a gallery on my blog to hopefully easily illustrate the different aspects of what I have been doing.DSC_0261

As I have worked I have added notes and thoughts to this. As I started out working and drawing the willow I didn’t what to think about anything else- it was my escape from difficult emotions- now I can acknowledge in some sense elements connected to Jake creeping in to my thinking relating to the space I’m working in and materials I found myself exploring. In some ways though I still don’t want to think about it too much, I want to focus on the willow. Since our previous discussion I have been-

Thinking about colour-staining

Thinking about colour- traces

Drawings in mud

Staining with tea and bike chain

Staining with willow bark and leaves

Experimenting with papermaking from willow leaves and bark

Willow bark to emboss texture

Mucking about mark making

Preparing surfaces to experiment with materials

Revisiting de-collage with willow bark

Exploring stain on plaster

Trying out materials.

I will make a gallery relating to this experimentation. What I haven’t done following on from our last discussion is to make some really big drawings, relating to the physicality of working with the willow. I did get my big roll of paper and it is something I intend to explore.

Provisional artist statement.

 Goldsworthy’s words ‘Learning and understanding through touch and making is a simple but deeply important reason for doing my work’, have a resonance for me.

Willow has become my vehicle through which I can try to explore my world. A piece of willow is a line and its natural inclination is to make a circle. These are elements I can see in my work. Along with the physical nature of working with the willow, it is has a repetitive nature with a sense of rhythm, it is intuitive and very much led by the material itself and the outcome is always uncertain. I have very much tried to focus on the doing, responding intuitively and spontaneously to my creative activity.  I have worked with willow, both living and basket makers willow, I have made studies and drawings of various aspects /details of the willow work, I have also used photography to record the willow, but have also photographed drawings that I have then manipulated using photoshop. These observations could be viewed as a way of trying to understanding the process, but possibly also to transform them into something different.

The living willow sculptures add a different perspective to consider. In contrast to the observation of nature, it requires a negotiation with nature- the form I can achieve has its limitations that are wholly led by how the willow grows. A way of working in collaboration with nature that requires an element of nurturing and the out come will be reflective of how well that is done, which in turn requires an understanding of its needs. The nature of these works is also slow. Dependant on the turn around of the seasons, when in the winter months the new growth can be tied woven back in.

 In a wider context I can relate my work to concerns around the natural world and the need to try and create a more sustainable future.

Draft Project plan.

In terms of making a plan I intend to continue working with the willow. It has occurred to me that I may be trying to address too many angles and may need to simplify what I am doing. I have, however, found that having various explorations on the go at any one time does in some way facilitate keeping up a momentum and in many ways feed each other. It seems to suit me,

Recently I have been quite taken up with the exploration of materials to work with, with the intention of making 2D works. I want to make some further exploratory work following on from what I have already done-

Staining from the willow bark and leaves

De-collage using willow bark

Experimenting further with paper making from willow

Staining with willow on plaster

At the moment I am thinking that I may be able to make works that somehow bring together elements from the different drawings and photos I have made into one work. So I have, in a way started a number on mini projects that may feed into this-

I have started to photo graph the group of 8 living willows each day, at around the same time of day, so that they may be used as a slideshow that would show the changes in growth over time and the changes in climate/lighting, but may also serve as source material for making drawings.

When I re-potted 2 of the willows so they are all in the same colour of pot, I made photographs of their root systems. This inspired me to take photos of the roots of each of the willows. I intend to make drawings from these, so that I will have one that refers to each willow. I have already been using the stencil made from my previous root drawing to explore its possibilities.

I am starting to see the possibilities of a series of 8 works here, one relating to each of the willows, and possibly a larger work relating to the group.

At this time though I am keen to remain open about where it goes.

Self –assessment- checking work against criteria.

Demonstration of technical and visual skill.

Am aware that recent experiments with materials have meant I have done less drawing. I think the change over to different course format has taken up some time in re-adjustment to the new requirements, but I think I might be there now.

Quality of outcome.

In terms of the out comes expected for part one I think I have hopefully presented it in a way that communicates well what I have been doing and hope to achieve. I have added a gallery to my blog so that a viewer can quickly get an overview of my work to date.

Demonstration of creativity.

I have done a significant amount of experimentation leading up to this assessment around the use of materials, but still need to work on how they may be best applied.

Context.

Have done a lot of looking at other artists work in relation to my own, and thoughts about where and how my own practice may sit in the contemporary art world. Deep reflection about my work at the moment brings it challenges in the light of my recent loss.

 

 

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